Juliet Gelfman-Randazzo
Edge
at the marathon a person held a box of tropicana orange juice casually in their hand a Box! I wrote
gobsmacked at the poetry reading with the straw push hole! but it was casual like a normal thing
to have there was no straw I was seated in a way that was confusing but I did my best to explain
it via text and managed to garnish a gymnastics of bubbles a person asked the audience to sh-
out one through 3 and my first thought was two but if I had said a word I would have said 3
because I don’t trust my first instincts to shoulder a number when I returned my focus to
the tropicana juice box I noted the box’s holder’s backpack bore a marble pattern like
the notebooks which reshaped the context of the juice it was all now as if they were
purposefully mired within the time of the box of juice common and I lost interest
in the novelty of nostalgia I moved my body of attention back to my phone the
boxes in there were complicated and I tapped among the throng their contents
pushing holes between the substance to open up a bowl for a new thing alto-
gether when my soup showed up at dinner it was difficult to eat and we bit
chunks and peeled slivers of bone out of our teeth piling them bubbling
on the edge of the plates seated structurally beneath our bowls and I
tried my best to talk eat pick bone pile neatly but the things fell in
cracks which of course I had wanted to host the hug goodbye felt
different nostalgia there was less of the novel so I walked some
where different I held my hands so casual in case a new thing
should show up and it did I caught the situation my friend
was describing and then I described it back we inscribed
our experience within a Box! and we felt happy I could
tell via text because we both felt the same bad thing
one time which meant we were not bad we were
only the way we both are which is wrong at
some times but usually redemptive we
were seated in a way that required a-
ttunement to the other’s body and I
turned although it was confusing
we shaped it compilation and on
the text we saw our shapes held
blue and grey it made a very
sort of old type of sense it
made me feel a bit like I
was old I held the feel
ing casual I let go
because I don’t
really need
to feel it
again
gossip
i’m having an irl night
)a night where i’m irl
(
(girl irl in the night light
whirling meanwhile phone
off twirling around in the
light of the street irl irl i
love real life so much i
rly)
irl girl rly 2-ply tp pls
my purl necklace it’s fake
lacing lips in the lyft
(i’m irl i’m so real
my life is like night it’s
fun and i’m awake irl
i don’t sleep asl irl i
don’t sleep wide awake
irl girl 24 hrs an hr)
i’m rly lifelike smiling
irl smiles of miles of smirk
mirth in the back of the
car rly girl skirting the
fake i’m living real light
(irl i laugh i lol i loll
i love to hold my phone
phonily phoning in the
hrs the night is awake
i am shaking myself into
the i of rl stine)
goosebumps on my wrist
irl squeaking pls let me
off here i need to real some
life lol in the phone on the
toilet oil let me to the exit
my life is eyeing locks
(irl hair in the air of the
night brain on airmode
flashlight on lashes my
cig ash down to the nail
wash me into the donut
disturb me in the down)
stubbed toe too tongued
bathtub clawed foot ooh
irl swirl of water on tap
foot tapping in the back
irl-y to rise locked lips
spilled ilk we don’t cry
lie
(ily irl girl lily curl
merlin ocean manuel
miranda irl mirth in
the curtains stained
mass of life on the
wites of the out i
exit stage right i ex
it the spot)
pots of in at the outset
my curdled tilt i dance
in the ancillary turn of
the lift irl elevator we
ascend to the end irl i
rise and rise eyes glist
ening
(listing lives lined silly
rly we sink coffee illy
down the drain rain in
the night wistful light
irl i call you n u answer)
swerve around the round
i also live in the world
having a whirl irl igig
agog i gig go live i irl
go so live in the night
i also
(ir-elle would be a beautiful
name for a girl twirling in the
reel of the filmic night mic’d
up in the pack of the lifted
lilt lil love lil laugh lil live
for eve or)
ore in the pouring rain
back of the cabinet
nets of purl stitches in
the tits of the town
more daze more knights
more lights to dazzle
it’s real this knot it’s
not not
(i’m having an irl night
a night where i’m early
curly hair wobbling out
the car window ow my
ankle it’s real i’m anchored
chorus in the cab irl we
dance while windy we whorl)
snarled in the gnarly
niche of the nightout
listing cameras flash
flood the food we don’t
take pics we roll the life
into balls like sushi we
roll on wheels like heels
like heelies
(eels irl we wee in the bathroom
cheering for chips chipping in
for a change we play pool in the
pooling irl light electric trick
pony we ping ponytail up)
only uppers in the offing
mfing lives in the livestream
streams teeming with reels
batting and snitching
(glitching in the gloaming
like irl girls rlly we live irl
irl we live like night irl we
rly i is we now nightlight
we whisper unfurl)
Philadelphia Sixers
all writing is ordering
or disordering experience
I have a practice of making
self-centered art
there is a sadness to the normalcy
of rivers, it’s conundrum
if you want to stoke some pressure
go and help a guy get earrings
one hole poked thru cartilage
splayed on the horse like jesus
well it’s good to leave a mark
an unripe date wrinkling
she found herself amidst
a concert non-consensually
screaming into noise cancelling
technology, the woman repeated
what we need, in this city,
are hyperbaric chambers
it is fun to be a bit victorian
you may hear a crunch
but it’s not your ear
you want delayed permanence: this tracks for me
you can’t totally argue
with a tub of free greek yogurt
I dreamed an ad campaign
that starred serena williams
a spinal doctor said
“she does all this…
and stands up straight!”
intoned voiceover sales pitch
accidental engagement
in reply guy behavior
dazzled by the realtree patina
of college trucker cap
starbucks iced chai cherry: i need it
I’m going over 20
in the citibike lane
he’s waiting, he explained,
for critical masc
tweaking off the yerba
bitter yellow is the color
summer calves banana coated
at the conference they swore
there’s just so much to learn!
whole call enamored
by my acronym of “whirrrr”:
how’s that for job security
many things are in motion
I’m obsessed with sludge
the frogs go in the sandpit
the pit goes in the garbage
it’s not my business what goes in
the trash incinerator
I flipped a switch and something gargled
goblins are hypebeasts
wizards are trad
elves are pick me
gremlins skate
ghouls are good at finding holes
and fairies fuck it’s obvious
I’m not a nerd I only play one
I’m not a player I like to watch
linguistic twist of abnegation
lying in the google doc
aperol in the miller, pernod in the bud
light lime in the cigarette
it’s green flavor, she promised:
it’s healthy
one a day keeps the dogma out
I eat maldon salt like pop rocks
I eat vitamins like dirt
I believe in miracles, it’s logical
I don’t know how frogs do anything
logging my time on instagram
clock in log out then back to work
I’m on a payment plan re: text backs
you guys get mad but credit’s good
I’m better when I’m honest
career is what you post of it
my brother is a future doctor
while I’m a future nothing
I live an expert life online
I love the world, its wet parts
I do live in the real world, I recaptcha
I can’t tell cars apart
by anything but color
I’m going to the gym to suffer
cross my arms hope for the worst
linkedin in the jargon
avocado caked under gel nails peeled
I don’t like anyone that fits the prereqs
that I’d need to buy a house
I watched carrie getting carried
through the door by aged aiden,
felt unmoved, if they had anyone
but AI writing, she would fuck the gardener
justice for eros
I’m putting salt and pepper
on my nectarine slice dry
contemplating date logistics
like how soon’s too soon
to ask to bring your laptop
I’m going on and on and on
six lines a room keeps the apathy
at bay like going to the beach
I ordered some things actually
a mass of things off kilter
now they’re squared do you agree
last night aubrey plaza made a presence
at the dive bar called the dive
in the plaza called the plaza
I will bid you an aubade
pls my place it’s all unkempt
well. something must stay out
of order
Juliet Gelfman-Randazzo lives in Philadelphia, where she curates the reading series Spit Poetry. She is the author of the poetry chapbooks "Boring Eclipse" (The Year, 2026) and "DUH" (Bullshit Lit, 2022), and her work appears or is forthcoming in The Iowa Review, Joyland, The Offing, Poetry Northwest, and The Cleveland Review of Books, among others. She can be followed at @tall.spy on Instagram but she can never be caught.